Re: X2U-238: Shot In the Dark Redux
"Then please follow me," Asherrra replies as she heads off.
She starts taking you down the streets. None of them are paved; they are all packed dirt. There are numerous small flower gardens planted along the street, also with a lot of hanging pots with flowers in them.
Other than the outside wall and the central building, none of the streets are straight and none of the structures have that sort of angular architecture to them. The streets appear to ramble in arcs and curves, merging with cross streets here and there, but there are no right or left angle turns.
It's unclear if the streets wend their way among the buildings or the buildings were added where there was a space allowed by the road. In the end, you probably come to the conclusion that it's a bit of both.
Each individual building is one or two stories tall, with decks or porches on the roofs. From time to time you see one of the First climb up the outside of a building to the upper level deck, thus explaining the ladder-like decorations on the sides of the building.
There are some colors on the buildings, mostly trim, but a few have decorations painted on the walls. None of the buildings have been completely painted, though. All the colors on the buildings are an assortment of pastel shades.
The adults don't seem to be concerned about your presence, but the kits all come out and stare at the strangers. Their parents don't seem to be concerned about this behavior.
Asherrra leads you to an area she calls a 'craftworks'.
"We don't live in the workshops any more, though, apparently--or so the historians tell us--once upon a time that was the normal method. Unfortunately, none of them can say why that changed. Perhaps it had to do with the smells and sounds... and the chemicals, none of which are good for the kits to be around."
"This craftworks has pottery-makers, candle-makers, basket-weavers and a few of the smaller woodworkers."
Even as she shows you the individual shops, which are grouped around a central courtyard, you see half a dozen cat-folk approach. They are all carrying bundles of reeds. One of them drops his bundle, climbs up to roof and then lowers a rope with a hook on it. One by one the bundles are hauled up to the roof. As each bundle is pulled up, that cat-folk climbs up. As near as you can tell, the reeds are being laid out on the roof to dry.
In the pottery-makers shops, they have powered pottery wheels, as well as foot-driven ones. They also seem to have powered kilns as there is no sign of coal or other fuel.
Likewise, when you get to the woodworkers' shops, they have powered lathes and rather sophisticated carving tools. They make some dishes, some utensils, candleholders, and some toys.
The candle-makers appear to have a powered heating bin for melting the wax. About half the candles that they make are very fancy and decorative; the other half seem to be merely functional.
The basket-weavers seem to have some sort of steam press that they use for shaping the reeds when necessary.
There is no advance manufacturing going on here, just some high-tech tools to make the handwork easier.