Homestead:
"
United States Air Force." Hawkins' eyes narrow as she examines Michael speculatively. She transfers her gaze to James. "
And the Federal Bureau of Investigation. The two agencies that were specifically locked out of the squadron because the Navy was afraid they were compromised." She looks back at Michael. "
But those boys from Chantilly cleared me to talk business with you. More importantly, you don't speak Anomaly Fifteen. So I'll assume you're clean."
She pushes back from the table and stands, reaching for three coffee mugs. "
The first four or five were self-taught. After that, Naval Intelligence School - and the Defense Language Institute, once it opened up. Whatever's special about my wiring," she gestures to her head, "
was valuable enough for the Navy to overlook me being both colored and a lady. Different times. Dangsin-eun eoneu miseuteo hubeo ui gug teugsu yowon choe hwan-yeong doeji anh-eul geos," she adds with a faint smile.
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You wouldn't have been welcome in Mister Hoover's Bureau either, Special Agent Choi.
"
My spoken accent's atrocious in just about everything but Creole and French. But yes, I'm a technical translator. Still in business when they care to send me something. The Hausa is the most recent addition. It's West African. Boko Haram," she elaborates.
"
But let me think." She closes her eyes and furrows her brow. "
You're here on urgent business but your file on me is a redacted one without a photo or my sex. You're looking into the squadron without a Navy liaison to interview me. And you're expecting terrorists and things that go 'bump' in the night." She opens her eyes and fixes James with her gaze again. "
So they're back," she gestures to the ceiling - the
sky - with the mug in her hand, "
and you're building a new file on them - or rebuilding the old one. How do gentlemen take your coffee?"
Freeport:
Karolina and Caradoc move counter-clockwise around the arm of the marina bounded by a row of townhouses. The buildings cut off their view of the local police, but from that general direction, more authoritative rifle fire begins to speak.
Reaching the end of the townhouse row, Karolina can see a man in casual clothing and a chest rig sprawled at the entrance to the complex's clubouse/restaurant, a folding-stocked AK at his side. Judging from the pool of blood spreading around him, he's either already bled out or about to. Moreover, his sightless eyes are turned toward her, affording her a good view of his face. It's Grigori Polzin - one of the two Russians implicated in Captain Albinson's death at the nursing home.
The Kalashnikov fire has stopped, but Karolina can hear distant shouts in what sounds like Russian. There's a roar of large marine diesels coming to full throttle and another cigarette boat - this one shimmering in high-gloss red and black - surges seaward from behind the clubhouse. At the sight of five men and at least three AKs aboard, Karolina and Caradoc open fire...
At least, that's the plan. Karolina's SCAMP's trigger is dead. Looking down, she finds the fire selector locked halfway between "1" and "3," effectively leaving the pistol on safe. In the time it takes to ready the weapon for use again, the boat is gone.
In those few seconds, Caradoc sidesteps his commander, braces his own SCAMP on a piling, and releases two bursts. At least one round connects, spinning one of the riflemen around with a hit to the shoulder. It probably won't be fatal but it'll definitely slow him down.
Meanwhile, Hannah undercuts her time estimate, pushing the loaner Toyota to its limits. One of the officers Symonette left with the helicopter is at the airport's service gate. At the sight of her approaching at high speed, he manhandles the gate open, then waves frantically for her to pass.
The other Bahamian officer is behind his marked car, MP-5 trained out against whatever threats he expects. Hannah hooks around his position, ditches the Toyota, and sprints for the Knighthawk. Barbrak already has the blades turning and Baudin is at the starboard M240, fingers drumming the receiver in anticipation.
"
Empire Four, this is Cutter Campbell," growls a new voice as Hannah dons her helmet. "
We're spooling up our helo now. Say your mission and search target, over."
Homestead:
Outside, Sébastien parks himself in the shade of the neighbor's house and maintains vigilance. The neighborhood is quiet, save for the occasional passing car. A young woman pushes a side-by-side stroller occupied by fussing twins, pausing on the sidewalk to retrieve a dropped toy, but she never looks between the houses to see the Frenchman.
The BWM is the first thing to put Sébastien's ears up. It's a black 5-series, too expensive for this neighborhood. It rolls past the house at low speed, which
could be someone looking for an address - but then the same vehicle passes again, going the same direction. Its windows are tinted, preventing Sébastien from getting a count of the occupants, and it definitely slows as it passes Hawkins' house.
Then another vehicle rolls past, this one a high-end Mercedes G-Wagen in a silver that's blinding in the Florida sunlight. Its windows are open, affording Sébastien the chance to sweep it with his thermal imager. He knows what the device will tell him before he checks the display, though, because the man in the front passenger's seat is wearing a face he's seen before: "Charlie Sheen," the "man" who murdered Admiral George Frye.