Re: Floor B23 - South Sector 5, Operation Earthcalm
Showing yourself to a generally panicking Kestrel may not, always, be a good idea. She has little enough control as it is; emerging, like some dusty, forgotten giant from rubble and stone makes you a) look like you just survived a horrible blow, reminding her that b) she thought you really, really, really might be dead, like (don't think it) (no) (don't think it) but you were c) really very alive and right in front of her! making you d) a good target. Irjin, therefore, is summarily pounced on half-crushed (she isn't that strong, really), and treated to the general, probably-rather-familiar feeling of having an Immy on your back.
"Irjinirjinirjinirjin I thought you were dead but you're not you're ok you're ok 23 is back in the warehouse over there he looked alright why are you so dusty it couldn't have been nice" little puffs of pulverized stone begin scattering off his fur in time to her open-palm slaps "and, and, and who is this is he another one of the Water Celestials there're another two who came over with Arashi just now oh and Arashi's alright too I saw her before I jumped out of the building and, and..." breath. This. This was the person who shouted, right? "if you know how to stop this tell me! It hurt everyone! Some people aren't getting up anymore!"
And she just barely manages to keep still long enough for Yaishin's words--or, to be specific, for particular bits of them. Will not survive a second attack. was key. Disabling the Peace Force was another. (She wanted to kill Jederva, to reach her and bring her down in sword and gold... but she couldn't could she? She couldn't fly, not yet. Her wings were clipped.)
(But then, who said you needed to fly to reach?)
crash
There was a staircase up, of course. There was one back then, too. Back when... oh, back when they rescued Crane, right? Back before the, the, the Shock Matrix started, before the streets were filled with
(dead)
people, smoking people, burning people, when she was carving a prayer to the little god
(Thirty-Seven)
And that was only one god out of... a hundred? A hundred hundred? B23 was huge, and now it was devastated; so much of it was torn, burnt, charred, smoking, spoilt and
(dead)
because of the Dragons, because of the Dragons. This happened to everything they touched! She wasn't stupid; she knew why the surface world got lost. They blamed her, they blamed her kind, but that wasn't it, was it? The Dragons were ruling the place, and they lost it, and now they were doing the same thing to the Coils, too, except this time they wouldn't just give up and go away. They had to make sure everyone died, too, chain everything, kill everything, because that's the only way they could be happy
(she reached the top of the stairs. The window up was but a jump away; the rooftop, another.)
and it wasn't fair. Why were they always in the position of power? Why did the Celestials always have to come from beneath? They were Celestials. She knew that name. Celestials were the names of the things in the sky, that were above everything else. Why were they always below?
The shard-and-steel storm of Thirty-seven began to swirl around her, and she was running, running across the rooftops of B23. From up here, she could see everything, and everything wasn't what she wanted. Below her, behind her, the masses of workers gathered; but they weren't all that should be there, no. Countless others were (dead) dead, lying dead on the streets or in the houses or, or Sol knows where else, and, and.... oh, by the Gods. There were so many. There were so many. Over there, where the other party of workers had marched... there were so many.
(And all about her, a thousand thousand buildings burned.)
This.. this wasn't... no. No. For this, her song is of grief; of mourning, and loss, and a slow, puzzled wounded hurt. Look, soldiers, look upon the street of your city; why are they so littered with dead? Look upon the hearths and homes of your brethren; why are they burning?
(You were to keep the peace of this city. Must this how it be kept? With lightning, and fire, and death to one and all? These were children, and children's children, the same as you and yours. These were men and women who have suffered, long and hard, beneath the Dragon's yoke; all they wanted was just a little fairness in their lives. All they wanted were the same things as you do; a bit of happiness, and a bit of hope.)
(There is, perhaps, no voiced chorus to her song; she does not know if the workers, the. the still-living workers, will pick it up and sing along--but this time, perhaps, there is no need for such. Fires crackle. Things burn. The moans of the wounded, the stench of singed hair--they all hang heavy in the air, a beautiful testament to the Shock Matrix's frightening power. Once more, they say, and a hundred deaths upon you.)
And here is when her voice cracks a little, and her essence takes over; her anima flares, rising to wrap her in shadow and mist, and a broken, tattered bride climbs out of her fire to stand before the world. Her eyes are red and weeping, behind her failing veils; and in her hand, she holds a sword, which she lifts to point at the soaring Dragon.
Oh, yes. That was why. That was why.
Singing her dirge, Kestrel sprints across the rooftops, heading for the glowing speck in the sky.
[OOC: Buying 5. 00:32, Today: Immaculate Kestrel rolled 7 successes using 10d10 with the White Wolf Exalted system with a target of 7 with rolls of 4,8,9,10,10,2,1,8,1,6. My gift is my song. 7 + 5 = 12 successes.
Total spent: 17m, 1 wp. Personal 8/15 (7 committed, scenelongs), Peripheral 21/35 (4 committed, artifacts), WP 8/9. Compassion Channels: 2/5, Conviction Channels: 3/4 Damage: 1B
Stop killing so many people! You know this isn't what keeping the peace should be! They are just like you.]
This message was last edited by the player at 17:17, Fri 14 Aug 2009.