Re: 2.3 The Seven's Sawmill and the Cult of Norgorber
After dealing with Miriam's temple the group heads back to Underbridge and the Shadow Clock.
The Shadow Clock
The Shadow Clock is a minor marvel of engineering. The locals in the region half expect it to collapse any day, and several Shadow taverns have long-standing betting pools on how many structures it will crush and people it will kill when it finally falls. The tower itself is made mostly of limestone, with a tangled skeleton of wooden supports buttressed here and there by iron bands. The stone walls are etched by wind, rain, and grime. While this pitted surface might seem to make for a relatively easy climb, the fact that so many of the stones are loose makes such a stunt dangerous. Inside, it’s not much safer; the crumbling wooden steps are known as the “Terrible Stairs” to the locals. After the tenth unfortunate death when someone tried to climb these stairs several years ago, the city ordered the tower closed.
Yet the locals of the Shadow know better. They whisper stories that someone has moved into the clocktower. Many claim to have seen a serpentine shape slithering out of the gap near the roof, slinking through the night sky into regions unknown, while others tell of a shadowy bulk twice the size of a man sometimes seen lurking in the darkness at the clock’s base. No one has dared enter the tower to confirm these rumors, yet most who live in the Shadow do not doubt their veracity.
Hidden beneath the grimy blackened goliath that is the Irespan, the lesser works of men huddle like weeds at the foot of the great trees that are the ruined bridge’s stone supports. Near one of these supports leans a decrepit and sagging clocktower, a dying structure of weathered stone, wood, and rusted metal supports that teeters to an unlikely height of nearly one hundred and eighty feet. High above, near the tower’s roof and barely fifty feet from the Irespan’s stony belly, a tangle of scaffolding sits near a section of the structure that has fallen away. The tower’s clock face is frozen in time, defiantly (and falsely) proclaiming it to be three o’clock, while above, a stone statue of an angel, her wings crumbling, leans precariously, almost as if she were preparing a final leap from her decaying perch.
The door on the ground floor appears to be boarded up, 80 feet above are barred windows and 140 up is a opening that leads to a scaffold, though most would probably call it a death trap. A stone stair case used to connect the topmost floors, but it fell off years ago.