Re: Bacchanal
Since the others can't find a groove at this Bacchanal and I do know where Titus has gone (who was a key instigator of this story arc, you can't simply play Instigate and Run, it's not right) we have to move beyond.
By the evening's end each character achieves a goal.
For Druk, it is gathering some essential information regarding the Orcs. He learns more about the upcoming war with the Ostrogoths. The Visigoths will be moving soon, within a week. Orcs are not hesitant when the war horns sound. But, it will take them a few weeks for them to reach and invade into Ostrogoth territory where their targets are. Prior to that time, should there be a crisis in Masillia, they will be easy to recall. After that, their troops will be mired in the Ostrogoth lands, and Masillia will be at its most vulnerable. The Orcs know this, but their vision of "vulnerable" is aligned mostly with external attack.
Gondioque, for her part, confirms this, but also gains a few social contacts among the female Orcs. The high ranking women of the Orcs will not be going on this campaign, for the most part. Some will, but Orcs generally think female Orcs should not be wasted in battle. They will be here, running things.
For Titus, it is gathering the kind of information that Titus wanted to gather in the first place, the political affiliations of the priesthoods at the two temples involved here (Venus and Bacchus) and to discover whether they had leads of the Owl kind, without making open visits to their places on Temple Ridge, which might be observed and raise suspicion.
The Owl is, of course, the bird of Minerva. It is not commonly expected to be found elsewhere. And yet, one of the Bacchus priests remarks to Titus, it is. There is a garden adjacent to these two temples. It's called the Temple Gardens. Maintained by the temples for meditation and relaxation, open to the public part of the day, and the only remaining “nice” gardens in the city. The Temples of Venus and Bacchus both open to the Temple Gardens, which are arranged in a series of gently rising terraces. The area closer to the Temple of Venus has statuary, hedges, ornamental shrubs and topiaries dividing the space into small, hopefully romantic niches. The statues have a Venusian theme- very pretty and generally underdressed men and women, a few cherubs, doves... tucked in among some doves is an owl. It's not an obvious thing, people can pass it and hardly give it a second thought. Those that do generally make it a brief second thought: "Oh, that's odd, an owl". The Venusian garden is not designed to facilitate logical analysis.
But there is an owl, nonetheless. The priests of Bacchus think it was provided as a gift from the Temple of Minerva at some point, but they don't know more than that.
For Bryon... she finds herself a companion for the night: Parthus Cenegins, the elder man she was talking to earlier, who is impressed that Bryon did not vanish with one or more of the younger men much earlier. For a night (and the next day, at least) Bryon has a home a lot more elegant than her quarters in the hotel: the Cenegins town house. It's mostly empty, as the family is not quite what it once was, but is a lot nicer on the inside than it looks on the outside, where the facade is mostly hidden behind another building and only a discreet entrance faces a side street.
But then.. the characters must decide what they are doing.