Re: Chapter 5.2: An Occurrence At Deadwood Gulch ((Moses, Art))
The whip flicks out again and again. Very few of them hit home, and those that do don't draw blood.
Moses' quiet acceptance of the situation, and Art's whispered words, seem to be changing some of the soldiers.
One of the soldiers near Art begins singing along quietly.
"Glory, glory, hallelujah..."
Another one picks it up.
"Glory, glory, hallelujah..."
More begin to sing.
"Glory, glory, hallelujah..."
((OOC: Butler attempts to whip Moses. These attacks covers several whip swings each, since we're not really in combat. There are a bunch of modifiers I could give to Butler in this situation (Moses being Restrained and Unarmed), but that's really not the point of the scene. These attacks represent the ones he makes against Moses while his deflection power is active.
09:39, Today: 1st Sargent James Butler rolled 0,0 using d8-2,d6-2, rerolling max with rolls of 2,2. Flogging.
09:39, Today: 1st Sargent James Butler rolled 4,0 using d8-2,d6-2, rerolling max with rolls of 6,2. Flogging.
09:42, Today: 1st Sargent James Butler rolled 1,-1 using d8-2,d6-2, rerolling max with rolls of 3,1. Flogging.
Not a single hit.
It might be best to treat this scene as a Social Combat. Art and Moses, you can roll Persuasion checks to try and get the soldiers on your side. Art, you have that 12 that didn't get used before, so I'll use that as your initial roll. I need a roll from Moses. These are contested rolls against the Sargent's Intimidation. He has a penalty from the fact that all his whippings keep missing.))