XII - A Heart of Thorns
The house that L.G. Murphy calls home is a stark sight, seemingly rising out of a barren patch of land, spartan despite its size. The sharp angled walls and surrounding grounds are free of anything welcoming, any of the small touches or adornments that might identify it as a dwelling that is appreciated and esteemed by those that reside there. It is merely functional in its construction, the sight of its dark, slightly weathered walls reminding the riders of a fort, or even a stockade.
Halting a fair distance away, the lead group of riders can see that both the ranch house and bunkhouse are well lit. Most of the windows glow with light and lanterns are hung on the exterior of both structures. The other buildings, the barn and wellhouse, are dark.
Lena Bauer produces a spyglass from her saddle bag which she uses to survey the property, before offering it to anyone who desires a closer look. As Tom Horn had warned, the approach to the property is absent of cover. Only a few clumps of brush, some low rocks, and half a dozen tumbleweeds occupy the vacant stretch of land. Those that study the buildings can see a lone cowboy seated on the steps of the bunkhouse and three riflemen at the main house, two posted on the upstairs balcony, one on the porch below.
The wind from the mountains, a near constant presence in the Rio Bonito Valley, is still. Beyond what they have already observed, the riders see no other signs of activity at the Murphy Ranch.