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11:40, 23rd April 2024 (GMT+0)

Gnashrip in the Audience.

Posted by BenFor group 0
Alayna
player, 76 posts
Half Elf Equestrian
Comely and young
Sun 9 Jun 2019
at 02:17
  • msg #140

Setting up for the Orc Audience

Alayna thought. "So, can one of us be an orc? And another a horrible beast? And then a human steps in, and distracts the beast, but only the orc can overcome it? And then the human heals the orc?" She frowned. "Its like my idea, where we show that we can be stronger together than apart, but with our abilities? Or maybe the orc is attacking, but the human, being me, is so fast and delicate that she distracts the beast, letting the orc win?"

She frowned, the teenager being frustrated. "See, I can almost imagine it, but I want to have a good idea. Someone help me."
Ben
GM, 83 posts
Your Master of Ceremonies
Sun 9 Jun 2019
at 23:10
  • msg #141

Setting up for the Orc Audience

Phileas brightens.

"Well, a display of physical skill and daring would be the thing, I'd bet, Nwofia.  It would have the effect of letting them see that skill need not be related to violence.  And it is in keeping with who we are.    And that being said, it is probably better that none of us appear to be an Orc.  It is a noble thought, I see the thinking behind it, but a mistake could be dangerous.  Unless we have among us an expert in Orc culture, we might accidentally insult them.  They seem to find a lot insulting.. and I have been among other peoples where tiny things we might ignore... how you offer food and drink to another... are critical social skills."

"I think we should also keep it fast, and present a variety of short acts.  I have a feeling they are not the type to stay attentive to anything long.  Let's lead strong but have a stronger finish.  I think... animals to start with."
Ben
GM, 84 posts
Your Master of Ceremonies
Tue 18 Jun 2019
at 01:06
  • msg #142

Setting up for the Orc Audience

Celeste, the Argentos's daughter, chimes in.  She hadn't been expected to contribute anything the Orcs might especially like, because her style is dignified and conservative.  She holds up the "high brow" end of the Traveling Show's repertoire.

"Well I am glad we will not pander to Orcs, and not try to be Orcs, in any way," she says.  "They are awful creatures.  I suppose there isn't anything to do for me, because I would just bore them, yes?"

Hylensia Argentos looks to her husband, who does more of the show planning.

He thinks.

"No, I am afraid, this time you are a musician.  But be a good musician. We must be more... physical.. this time through.  Impressive feats.  Just not impressive feats that Orcs will feel challenged by.  OUR impressive feats."
Og Worman
Player, 55 posts
Barbarian Wizard
Too Hot, Hot Damn
Tue 18 Jun 2019
at 03:08
  • msg #143

Setting up for the Orc Audience

Og looks at Celeste with new perspective. He thought he was alone in his thoughts towards the orc. “Well met, Celeste.”

Og was fine with Phileas telling him what to do, and he would do it well, but he was done talking about how to please the Orcs. It made him thirsty. He considered asking if Celeste would like to join him for a drink.
Alayna
player, 79 posts
Half Elf Equestrian
Comely and young
Tue 18 Jun 2019
at 03:57
  • msg #144

Setting up for the Orc Audience

"I have new tricks, including my flying backflip dismount," Alayna said. "And other tumbling tricks on the ground. And I'm still willing to have someone throw knives at me. As long as, ya know, they don't hit me."

She sat on the ground, doing splits, then stretching her thighs. Typical of the girl, she didn't have a clue that anyone might find that interesting.
Ben
GM, 85 posts
Your Master of Ceremonies
Sun 23 Jun 2019
at 23:21
  • msg #145

Setting up for the Orc Audience

With a plan - more or less - the performers set themselves up.

Alayna, of course, will start things off, with Tahra's introductory song.  Her routines are the easiest to adapt to what Phileas is looking for.  After all, no Orc would even think of doing tricks on the back of a horse.  Or any other animals.  It's just not Orcish... and yet, it is also physically challenging enough to impress any of them.

Celeste watches from the side lines, joining the musicians.

"Avoid purely magical tricks," Phileas whispers to everyone, though the Orcs are not yet in ear shot.  "That might not do it.  Just magic, I would think if I were an Orc.  But dazzle them with what we can do."

The musicians start their opening music as the audience moves in, the Orcs taking their appointed places up front.
Alayna
player, 80 posts
Half Elf Equestrian
Comely and young
Fri 12 Jul 2019
at 23:13
  • msg #146

Setting up for the Orc Audience

Alayna did her part, as it seemed to be her lot to start. She started simple, with her usual tumbles and such on her horse's back. Then, she had one of the handlers lead a horse around in a circle, then got her horse to mimic on the outside. Then, she stood, then did a dismount to the other horse.

Once there, she stood, the other horse not as steady, then remounted her own horse. It was rough, but she made it. She rode her horse a bit outside, then did some handstands and such. Finally, she timed it so she was in front of the Orcs, and did her backflip off of the horse to the ground. It was a bit rough, and she touched her hands, but then turned it into a series of cartwheels and backflips untils she turned a circle to launch herself high and do splits in front of them.

Her breast heaving, she bowed, then made her way offstage, her body aching... and happy.
Ben
GM, 86 posts
Your Master of Ceremonies
Wed 17 Jul 2019
at 23:45
  • msg #147

Setting up for the Orc Audience

There is a difference in reaction between the Human and Orcish members of the audience.  It's not absolute, it's not perfectly black and white, but it's noticeable.

The Orcs seem to expect that Alayna will hurt herself.  They don't seem concerned, they just seem contemptuous.  Certain that such a frail looking person will obviously come to grief, any moment.

But that's at first.

Moments go by, and go by. Alayna is not hurt.

Orcs grunt and whisper among themselves.  One of them produces a small stick with runes scribed on it, and looks at it curiously before Gnashrip snatches it away and hurls it to the ground.

That almost provokes the Orcs to fighting among themselves.  Only Pugnant and his top warriors keep the peace.

Watching, Hylensia whispers; "Orcs are paranoid about the magic of Elves.  That's a simple magic trinket made to detect magic. It's not detecting any, of course.  They have a hard time accepting that Alayna can do what she does by herself.  Especially since no Orc could do it."

The Human audience has no such issues.  They merely enjoy it.  Especially the young girls, who at this moment want to be Alayna, and the boys, who want to be with Alayna.

After Alayna's performance there is applause and cheers, and Pugnant walks towards the group of performers.  There is more to see, but he does not wish to wait.
Alayna
player, 81 posts
Half Elf Equestrian
Comely and young
Thu 18 Jul 2019
at 04:00
  • msg #148

Setting up for the Orc Audience

Alayna paused as Pugnant walked towards the troupe. She turned, just in case he wanted her, and stood, still catching her breath, shaking a bit from the exertion, but happy nonetheless. After all, she landed the back-flip. And the splits. It was so gratifying to the young teen to have done all that, and the applause that came with it was just as sweet.
Og Worman
Player, 56 posts
Barbarian Wizard
Too Hot, Hot Damn
Thu 18 Jul 2019
at 04:04
  • msg #149

Setting up for the Orc Audience

Og applauded furiously for Alayna. He was truly impressed.

He quickly blocked Pugnant from going further, “How May I be of service?” He asked politely, but it was clear that the question needed to be answered before Pugnant could proceed.
Tahra
player, 77 posts
Thu 18 Jul 2019
at 05:09
  • msg #150

Setting up for the Orc Audience

Tahra stepped forward, a woman alone, her copper-red hair overlaying her gown of satiny black. Her face, a pale oval in which eyes glinted green. She began to sing....

[The Highwayman
By Alfred Noyes
PART ONE]

The wind was a torrent of darkness among the gusty trees.
The moon was a ghostly galleon tossed upon cloudy seas.
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
         Riding—riding—
The highwayman came riding, up to the old inn-door.

He’d a black cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkle. His boots were up to the thigh.
And he rode with a jewelled twinkle,
         His dagger grips a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard.
He tapped with his whip on the shutters, but all was locked and barred.
He whistled a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
         Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened. His face was white and peaked.
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord’s daughter,
         The landlord’s red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say—

“One kiss, my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
         Watch for me by moonlight,
I’ll come to thee by moonlight, though hell should bar the way.”

He rose upright in the stirrups. He scarce could reach her hand,
But she loosened her hair in the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
         (O, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

[PART TWO]

He did not come in the dawning. He did not come at noon;
And out of the tawny sunset, before the rise of the moon,
When the road was a rivery ribbon, looping the purple moor,
Bounty men came marching—
         Marching—marching—
Nidhogg's men came marching, up to the old inn-door.

They said no word to the landlord. They drank his ale instead.
But they gagged his daughter, and bound her, to the foot of her narrow bed.
Two of them knelt at her casement, with crossbows at their side!
There was death at every window;
         And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest.
They had bound a crossbow before her, with the bolt beneath her breast!
“Now, keep good watch!” and they kissed her. She heard the doomed man say—
Look for me by moonlight;
         Watch for me by moonlight;
I’ll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years
Till, now, on the stroke of midnight,
         Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it. She strove no more for the rest.
Up, she stood up to attention, with the bolt beneath her breast.
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
         Blank and bare in the moonlight;
And the blood of her veins, in the moonlight, throbbed to her love’s refrain.

Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear;
Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding—
         Riding—riding—
The Nidhoggs looked to their triggers! She stood up, straight and still.

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer. Her face was like a light.
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
         Her crossbow twanged the moonlight,
Pierced her breast in the moonlight and warned him—with her death.

He turned. He spurred to the west; he did not know who stood
Bowed, with her head o’er the crossbow, drenched with her own blood!
Not till the dawn he heard it, and his face grew grey to hear
How Bess, the landlord’s daughter,
         The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high.
Blood red were his spurs in the golden noon; wine-red was his velvet coat;
When they shot him down on the highway,
         Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.

.       .       .

And still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly trireme tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
         Riding—riding—
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard.
He taps with his whip on the shutters, but all is locked and barred.
He whistles a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
         Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

And if you've read this far...
https://www.youtube.com/watch?v=DhT3HzCDX5k
n/a
Source: Collected Poems (1947)
Nwofia Barandi
player, 73 posts
Acrobat, Actress and
A Living Surprise
Thu 18 Jul 2019
at 14:20
  • msg #151

Setting up for the Orc Audience

Nwofia waits outside the spotlight for Tahra's poem and for the applause to build.  Only when the applause is beginning to die down does she step into the light in her tight, diaphonous costume, beckoning the light to follow her before she climbed the walls to the nearest roof and began to scale it.

Spoiler text: (Highlight or hover over the text to view)
14:38, Today: Nwofia Barandi rolled 9 using 1d20+8.  Scaling the wall (Climb).


She had barely climbed a foot before slipping down once to the ground.  She glared at the wall as if it was the wall's fault she was having a bad day.  She shrugged and looked around for another route.

Spoiler text: (Highlight or hover over the text to view)
14:42, Today: Nwofia Barandi rolled 16 using 1d20+12.  If climbing doesn't work, perhaps we jump.
14:43, Today: Nwofia Barandi rolled 15 using 1d20+8.  Climbing that last few feet.



She jumped as best she could and, sighing heavily and visibly, a breast-heaving sigh that might in itself be entertaining, she caught the parapet and with little of her expected grace, she pulled herself up onto the roof.

Spoiler text: (Highlight or hover over the text to view)
14:47, Today: Nwofia Barandi rolled 30 using 1d20+13.  Sleight of Hand.


Standing unsteadily on the roof, still in the unforgiving glare of the spotlight, she produced fifty feet of rope.  There were no magical handwavings or other signs but nobody in the audience seemed to have any idea where she had been hiding the rope.  Surely the crevices and hidden places of human women were not that deep were they? She smiled and tied the rope at the top of the roof, holding the other end in her hand.  With the other hand, she blew a kiss to the audience.

Spoiler text: (Highlight or hover over the text to view)
14:51, Today: Nwofia Barandi rolled 20 using 1d20+5.  Tie the rope.


Then she launched herself from the roof, holding onto one end of the rope as she crossed the square in a series of somersaults, almost dancing from roof to roof.

Spoiler text: (Highlight or hover over the text to view)
14:56, Today: Nwofia Barandi rolled 16 using 1d20+15.  Tumbling.
14:57, Today: Nwofia Barandi rolled 34 using 1d20+15.  Trying to survive the fall.



At the highest point though, she missed her footing and began to plummet toward the ground, only to twist herself on the rope and land lightly on her feet.  She looked at the rope as a leopard might looks at a python at feeding time.  She paused and wrapped the rope around her waist before climbing up a different wall to that where she began, an easier wall this time.

Spoiler text: (Highlight or hover over the text to view)
15:05, Today: Nwofia Barandi rolled 11 using 1d20+8.  climb.


Now she tied the other end of the rope, making sure it was tight and smiling down at her audience below.

Spoiler text: (Highlight or hover over the text to view)
15:08, Today: Nwofia Barandi rolled 22 using 1d20+5.  tie the other end of the rope.


She stepped out onto the rope and began the act she had planned, walking and dancing across the rope from one side of the square to the other over the heads of the audience.

Spoiler text: (Highlight or hover over the text to view)
15:11, Today: Nwofia Barandi rolled 25 using 1d20+9.  Perform dance.
15:11, Today: Nwofia Barandi rolled 33 using 1d20+15.  Balance.



As the dance came to an end, she untied the rope from the first roof where she tied it. And swang on the rope, climbing hand over hand as she flew across the square until she reached the other roof.  There she bowed and as the spotlight went out, leaving her in darkness, she made her way down to join her fellows during the next act.

Spoiler text: (Highlight or hover over the text to view)
15:18, Today: Nwofia Barandi rolled 30 using 1d20+15.  Climbing the swinging rope tumbling.
15:17, Today: Nwofia Barandi rolled 17 using 1d20+5.  Climbing the swinging rope rope use.
15:17, Today: Nwofia Barandi rolled 19 using 1d20+8.  climbing the swinging rope climb.




Spoiler text: (Highlight or hover over the text to view)
[Yep, I wrote that live]

Ben
GM, 87 posts
Your Master of Ceremonies
Mon 22 Jul 2019
at 00:56
  • msg #152

Setting up for the Orc Audience

Pugnant, the chief Orc of Cambete, comes to a stop in front of Og.  He doesn't seem angry about being blocked, or surprised.  After all, this is how things would normally go... if he was walking to greet another important Orc.  In fact he almost smiles, as if possibly thinking that Og is deliberately trying to treat him in normal Orcish manner.

"There are things here I not understand," he says.  "The importance of oman's song... what does it do?  But there are things... real things here.  Gnashrip cannot win here.  He is alone.  He calls on the gods that made us but there are other things here.  These powers... our gods knew nothing of.  Gnashrip has become lost.  You have won here, and you have won for me as well, because... in one thing Gnashrip is right.  Life has become soft, and I like it.

"But also I must warn you.   He does not call to fight me, and I not go to fight him.  He must go free, or others see, I am Orc who has turned against Orc, to favor Human.  He will not stay, he is too much full of... full of the Want-To-Fight, there is not word in Human language.  Maybe he will come to fight you, follow in your trail.

"I know you go to cross bridge and go to east next.  I not let Gnashrip to cross after you.  But maybe he find a way.  You watch for him.  Take care of girl who dance on horses, girl who dance on ropes.  These things very rare, very valuable."
Og Worman
Player, 57 posts
Barbarian Wizard
Too Hot, Hot Damn
Mon 22 Jul 2019
at 01:49
  • msg #153

Setting up for the Orc Audience

Pugnant can see half a smile under Og's mask. "Thank you very much for the appreciation." Og's demeanor shifts from defensive to respectful. A compliment goes a long way.

A sparkle flashes through his eyes, Og welcomed the chance to fight Gnashrip...to kill any orc...Og understood the "Want-to-fight," he had it himself. "My tribe called it bloodlust, rage; I get it too. I'm sure he has it worse."

But he had his family to worry about. "When he comes, how many orc will be with him?" He did not ask "if."
Alayna
player, 82 posts
Half Elf Equestrian
Comely and young
Tue 23 Jul 2019
at 03:26
  • msg #154

Setting up for the Orc Audience

Alayna could not help but smile. She used her fractured Orc to respond. "I... keep safe. And thank... you much. You... are good... to me."

She switched to common tongue. "I have good friends. We all stay safe. Remember, peace kills no one, makes no village empty. It is a good thing."
Nwofia Barandi
player, 74 posts
Acrobat, Actress and
A Living Surprise
Tue 23 Jul 2019
at 18:04
  • msg #155

Setting up for the Orc Audience

Nwofia nods in response to Alayna  She makes a mental note to learn Orcish at the next available opportunity.
Ben
GM, 88 posts
Your Master of Ceremonies
Tue 30 Jul 2019
at 01:15
  • msg #156

Setting up for the Orc Audience

Orcish faces don't carry most emotions as well as others, but it is possible to detect the surprise from Pugnant after hearing that the little Human girl can speak some Orcish.

"He has been made to look foolish," Pugnant says.  "It is said, a fool leads fools.  So, I do not think he can call the loyalty of warriors here.  They do not want to share in foolishness.  I think he will go somewhere, and he will preach like he has, and tell them stories about me.  Maybe some will choose to follow him, I cannot say.

"But I can do nothing about him here.  I speak only of what he might do.  I know nothing of what he will do.  There is a difference.  I spoke yesterday, I told him my decision.  If he does not challenge my authority here, I will not do anything.  I do not fear him.  But my advice to you... you do not know who would follow him.  Or what, or why.  Get distance between Gnashrip and you.  Go fast and far, and soon."
Ben
GM, 89 posts
Your Master of Ceremonies
Tue 6 Aug 2019
at 19:53
  • msg #157

Setting up for the Orc Audience

The show was not yet over when Pugnant walked over.

Phileas herds his cast back to the stage as needed; even though the goal was accomplished, the show must go on, he must see it to the end.

The Orcs also watch to the end.  To do anything less would be rude, and although Orcs are only slowly coming around to this concept of rudeness, some of them have learned what it is, and have no reason to antagonize the humans (and others) performing.

Besides... it is interesting.  Magic, without using actual magic.  That's a powerful idea, to Orcs.  Deep down inside they have bitter feelings towards Elves.  They can't help it, it is part of what they are, and in fact, how they were made.  That bitterness is tinged with jealousy, and that jealousy is often over the fact that while Elves seem absolutely over-endowed with magic, Orcs have very, very little.  But here is evidence that humans can do wondrous things even without magic.  Such things hint to the Orcish heart that maybe the universe does have some basic fairness to it.

It is also fascinating to them because the traditional Orcish answer to magical skill has been brute force, as much of it as can be brought to bear.  And here is yet another side to things, neither magic nor brute strength.  A third element Orcs hadn't really considered.  It is strange and fascinating.  They don't applaud when it is finally over (Orcs haven't adopted that custom yet) but they do howl a lot.  They seem happy.

Mostly.  Gnashrip scurries off again, but without looking sneaky about it, this time.

Phileas is met by the Important People of the town, who come around to the stage area after the show.  They congratulate everyone, and thank you...

"The last time Cambete has seen such a thing... it must have been in the old days of the Empire."

"It's good to see... this is what civilization is about.  Not enough of that here, for so long."

"We will be hoping for your return.   Cambete is close to your wintering home, I understand, I am sure you can find the time to squeeze us in again?"

But Phileas is already thinking about the next move.  He weighs Pugnant's warnings.  The Traveling Show has acquired an enemy. This is not something he is accustomed to.  But acrobats and musicians are not expected to be heroes.  There is no point to waiting around to face Gnashrip, and even less point to seeking him out again.  It will be enough to stay vigilant as they travel, and maybe they will stay ahead of any vengeance minded Orcs.

"Orcs sleep late," Phileas advises his crew.  "We must not.  Let us cross the bridge in the early morning, and be far away by mid day.  I believe we can all relax some when we are among the Black Forest Elves.  Though, not professionally.  Elves expect a lot."
Og Worman
Player, 58 posts
Barbarian Wizard
Too Hot, Hot Damn
Tue 6 Aug 2019
at 21:14
  • msg #158

Setting up for the Orc Audience

"I can stay awake and watch through the night. I have been neglecting my studies anyhow...was already planning a late night. It's all the same to me."

Though Og figured he would be disappointed, for surely Gnashrip was not foolish enough to attack immediately.
Tahra
player, 78 posts
Tue 6 Aug 2019
at 21:42
  • msg #159

Setting up for the Orc Audience

Tahra shakes her head. I suggest not early morning. Let us pack and leave now. Let here be dawn when we camp where there are lines of sight. As we journey, let Klimmin, my pet bat, flit at the rear...or, with his permission, rest on Og's shoulder.
Og Worman
Player, 59 posts
Barbarian Wizard
Too Hot, Hot Damn
Tue 6 Aug 2019
at 22:16
  • msg #160

Setting up for the Orc Audience

Og chuckles, “Ah! I welcome Klimmin. But first we must begin to tear down.”
Alayna
player, 83 posts
Half Elf Equestrian
Comely and young
Wed 7 Aug 2019
at 02:40
  • msg #161

Setting up for the Orc Audience

Alayna knows she can pick up her wings on the way out, and finish trimming them herself. But she is sad to leave. She actually made friends here, as well as grew to like the cast and crew. As a half-breed orphan, she had few if any friends. Here, it felt like family.

So she threw herself into helping tear down. And to pack. Her horse would carry her, and she was still enough of a loner to appreciate that. But she was still curious to see what the road ahead held.

In her mind, she wondered... could she backflip off her horse, tumble under, then vault back on? It would be good to work on it...
Nwofia Barandi
player, 75 posts
Acrobat, Actress and
A Living Surprise
Wed 7 Aug 2019
at 14:54
  • msg #162

Setting up for the Orc Audience

Nwofia has been cutting down on sleep so she makes sure she has packed everything she needs before she sleeps.  That way all she'll need to do is eat breakfast and be on the way.  Well that's the idea anyway but who knows what happens to the best laid plans of mice and men (after all, no poet has yet said what happens to them and the words 'gang aft aglay' don't exist in Amazight or in tribal common.
Ben
GM, 90 posts
Your Master of Ceremonies
Tue 13 Aug 2019
at 02:33
  • msg #163

Setting up for the Orc Audience

"A night move, Tahra?"  Phileas looks at her, but she can see he is already weighing the pros and cons in his head.

"It would get out ahead of any... complications," Hylensia agrees.  "And the animals are rested.. all except Alayna's horse have had a very restful time."

"It's unusual, though," Phileas says.  "People like us don't travel at night... I mean, no one travels at night if they don't have to."

"Elves do, dear."

"Elves see in the dark.  We'd seem very suspicious.  I don't want to have the kind of reputation, people who sneak out in the dark aren't trusted.  We'd have to have a good reason.  A fine excuse, for a night move."
Tahra
player, 79 posts
Tue 13 Aug 2019
at 04:37
  • msg #164

Setting up for the Orc Audience

Trade Tahra says. We're demonstrating that trade can occur between Cambrete and the Black Forest...and that the roads are safe. And we don't sneak.
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