The ascent is joyfully easy, and Henry pulls himself up top and
sees.
{
Previously Private to Henry Cotton:} It's the symbols that draw his eye first. Something in his instincts - old, old instincts, back in the pulsing primal thoughts that go deep as blood - says this script is not for recording human speech, or concepts the human mind is meant to comprehend. Certainly it is not a human mind as it is meant to be that has made this broad sigil in blood and charcoal, nor marked points around its containing circle with those weird, precise stick-sculptures, recording symbols requiring more than two dimensions for their writing. The sheer mad
precision of it gives an impression that some great and terrible thing has been worked in this place, like a great empty spool the world had been turned around and now left slack.
At the centre of the design sits a long-cold fire and a pot furiously upended, spilling a dark substance off to the right. There's another bundle part-unwrapped in the shadow of the overhang above the flat space, a sheep skull returning his gaze from a half-dried rotting throne of viscera in the relative gloom. Above this last bundle is a drawing on the sloping rock, though he'd have to go closer to inspect it. The medium seems to be charcoal and fat, or more blood. There's a big scribbling of charcoal on the floor over there, too, but Thomas' curious crouching over it prevents Henry seeing any more than its presence.
Henry looks down at an odd, shell-like sensation under his hand as he pushes up to rise to his feet and finds he has placed it on an orphaned human tooth. There are others nearby.
[[SAN check, please, our lad.]]
{
Previously Private to Thomas Daniels} It proves hard to copy things accurately, but Thomas manages the two-dimensional symbols as best he can. Passing around the edge of the circle he notes that the teeth he encountered further back were probably pushed there when the pot was overthrown, since there's a partial circle of them around the remains of the fire.
Under the overhang, sweating amongst the thick stench of rancid blood and flesh, he can hunker to his heels to get a look at the drawing.
{{...and postimage seems to have fallen out with RPoL at present, so you'll have to use your imagination here.}}
It's not clear what it is, except clearly religious art: a thick dark halo shines around a row of concentric zigzag patterns down to a blot below centre. Seven rays, or tongues, or flames waver out from the bottom of the icon, sinuous yet stretched out as though putting out power or preparing to embrace.
Beneath, between it and the sheep skull is written:
~ So shall be Written the neW GofPel
tHe UnFoldiNg stars and the AngeLs UndeR tHe EarTh sPEak
to Me iN FLEsH I KnOw THEM By DevOUriNg SoftNefs
aS THEY sHaLl aT LaSt KnoWe Me AnD we Will Be thE LIGHT of
ANniHiLATiON GenTLe and TotAl ~
~ TaKE CoURaGE for tHis iS whAT iT is
And It is All.
The frantic charcoal scribbling off to his right that seems to be unrelated to this legible if incomprehensable sermonising - more like an idiot's effort to scribe a warning about the 'jail' of sticks and scrub piled up on top of something at the corner of this boulder-top. Though wordless, this second person doesn't seem to share any high sense of ceremony and only wants that others should know to
keep away.
He hears movement behind him at this point, from Henry joining him up top.
The raven tilts its head the other way to give James something of a sardonic look.
This message was last edited by the GM at 23:14, Wed 18 Mar 2020.