Bathsheba:
Play some songs for us, cutie!
"
No, luv: I'll play them for you."
The long, teased, platinum-haired elf had just finished tuning his bandore and blew a kiss to the tiefling. The little elf looked like he was barely taller than 5 feet and couldn't have weighed more than 110lbs soaking wet. He wore leather breeks dyed green above high laced moccasin boots. A loose flaxen shirt covered his shoulders and arms, but was left open down his chest and abdomen. That was covered only by necklaces, tattoos, scars, and a bright blue silk vest buttoned low across his belly. The elaborate guard of a shining rapier stuck out from his hip, but he shifted his sword's frog around to the side and took a position to play.
His proportions were remarkable: his chin long and narrow, as were his neck and his ears that poked out of his hair covered in gold and jeweled earrings; large eyes above slight cheekbones; a too-broad smile filled with narrow teeth. His long, thin, and sun-kissed arms ended in hands with spider-like and bejeweled ring-bearing fingers that crawled across and plucked the strings of his instrument.
Music didn't begin to sound from the stringed instrument so much as it felt like it arrived from far away. What began as gentle chords played on a summer's breeze took firmer hold in ascending scales between the dominant and the tonic, to begin again at the subdominant and the third. Rising sternly rounded to settle down again in a spritely snapped rhythm, his playing brightened as he shifted keys.
But always, oddly, the seventh was flat.
At first it seemed an amateur's mistake but repetition gave it meaning, for as the rest of the scale brightened and enlivened, the seventh flattened and grew in dynamics and value, threatening the composition.
Furious at the dissonance, tempo begat tempo; strings combined in chords combined to progressions to assault the holdfast of the seventh, rebuffed time and again until what had once been bright became dull. The seventh was victorious, it seemed.
The music stopped and his rich baritone took up the melody. It cut through the thick tavern atmosphere and semitone by semitone hedged around the seventh. By and by his hands reintroduced the harmony from the bandore.
[Translated from the Sylvan]
- Turning to the right I saw Craigellache,
the “Rock Of Alarm”
gleaming purple in the autumn sunshine.
I remembered its meaning,
my right hand was filled with the sword of perseverance
Craigellache told me: "stand firm”
I bid adieu to groveling materialism,
it can never quench my aspirations
render obscure my remembrance of the days departed.
The spirits of the mist and the mountains
have awakened me to better things,
and indicate to my heart that I must not be untrue to myself
Nor forget my paternal heritage,
but let this music sound with sweetness
in the ears of a Faerie people to whom it belongs.
The elf returned to an instrumental, rising from the tonic in hesitant half-steps and retreating in nearly as many, again pushing towards the seventh in hope and in fear of what remained. But fear was unfounded. The tentative ascent became a triumphal celebration upon arrival at the previously elusive leading-tone, and his fingers traversed faster and faster through what had before been the source of such discord.
His voice rejoined his bandore and his eyes held Bathsheba's at the climax.
[Translated from the Sylvan]
- Come with me then
'cross glen and burn
to a hill under which we feast and dance
A summer's moment or a lifetime
Both the same
As time becomes a forgotten dream!
As it started the piece finished: not stopping so much as always having been a memory. The bard let the moment linger, holding the maid's eyes in his, before breaking from her and launching into a series of jigs, hornpipes, and reels accompanied by the stomping of the crowd's feet.