Before requesting access, you are required to read the following:

• Rules of Conduct
• RPoL Terms of Use
• RPoL Mature Games Policy

Game rules may be subject to change.

Applications will not be accepted on a first come-first served basis. Please take some time and give some thought to your answers. Try to provide specific instead of generalised answers.

SECTION I. PLAYER QUESTIONNAIRE

1. Please provide your age and year of birth.
   
2. What is your current time zone?
   
3. What is your average posting rate?
   
4. What is your first language, if not English?
   
5. Why do you wish to join this game?
   
6. What are your expectations for this game?
   
7. What is your experience with gaming in general?
   
8. What are the sorts of things do you enjoy? (In terms of games, books, movies, et cetera. I'm interested in hearing about anything, really.)
   
9. What are taboo issues for you? (For example, some people are averse to games that depict drug usage in any way. Others feel uncomfortable with current political issues.)
   
10. Please provide a writing sample. (I'm mostly looking for correct spelling, adherence to the rules of grammar, good diction, interesting ideas, and so forth.)

QUESTIONS AND ANSWERS

Here are some answers to some questions you might have.

What is the Big Picture?

The game takes place primarily in the small rural town of Middlepoint, Montana when a group of over a hundred alien entities approach the various teens in order to house their spirits and minds within their own as a place of refuge. These beings called themselves the quori.

The quori are extradimensional aliens that are difficult for the human mind to comprehend. They mainly interface with the players in dream and thought and might influence the player characters with their own alien thought patterns, causing the players to behave in weird and interesting ways. They're benevolent personalities, more often than not, but they are each individual, so one player's relationship to their quori might be different from another player's.

Part of the problem with stories about creatures like the quori is that you often get into the problem of consent. How much consent can a teenager really give if they don't fully understand the situation they're in, especially the implications of this interdimensional war? That's what we want to find out!

But to be clear, the quori cannot control or force your character to do anything. They can only influence your actions in the way that anyone else might, through conversation and dialogue and so forth. They might pressure the characters into doing something, but that would put them clearly beyond the pale, and the quori need to be rather more compassionate than that.

Unfortunately for them, their Enemy has followed them to Earth, which will now become the latest and perhaps last stage in their ancient eternal war.

Who are the players supposed to be?

The protagonists are close friends living in Middlepoint, where they attend Cherry Hill High School (or Middlepoint Middle School, if they're still in junior high school). They'll be playing one of the initial awakenings within their small town.

You will need a strong, compelling reason to allow an alien entity to inhabit your mind and soul and turn your life upside down. Perhaps you've taken pity on the refugees and want to help them in what way you can. Perhaps you like finding yourself part of something larger than yourself. Perhaps you're lonely and wouldn't mind talking to someone in your own head. Choose whatever makes sense for the character you wish to play.

Keep in mind that the quori will probably not choose people who are likely to abuse their powers for selfish reasons nor will they choose people who are going to harm their own small population of refugees. They're fighting a desperate war with their greatest foe, so they're going to choose people sympathetic to their cause.

Does this game take place on Earth?

Yes, and no.

You can expect things like smartphones and social media and complex political situations and so forth. But there's also aliens and weird technology and dimensions beyond our own comprehension. Some license must be taken so that these things haven't occurred in a vacuum, but influenced and affected each other prior to the game beginning, i.e., in the backstory.

What those things are, I can't really say with any specificity, because that's not how I create games. I usually come up with a premise and form the game's world around the players as they explore it. I might have a few underlying NPCs and world facts in my head, but that's about it, and those are easily discarded if I find something better to fit.

What kind of powers can I choose?

I personally have no problem with any power whatsoever. Whatever you decide, I can roll with, for the most part. Now, other people may have their own opinions, so if there's a power you personally would feel uncomfortable being in the game, let your preferences be known as soon as possible. For example, maybe you don't like the idea of a power to induce torture, like the Cruciatus Curse in Harry Potter.

This is a Mature game, so that means there's not to be any explicit or graphic sex or violence and such, and any power you selected would have to fit that scope. And we definitely want to respect people's boundaries. Just know that I have very few that don't already fit within the constraints of a Mature game. :)

Tricky to adjudicate powers will be handled with care, but they should certainly be doable. If you want to be able to travel in time or read minds, I will make accommodations for those powers. One thing I think might be tricky is if you have a Rogue or Peter Petrelli like power to copy other people's powers. Ensemble stories are all about making sure you have your own way to shine that other people can't mimic. If you can do it all, there's no point in making this a story about a group of characters, but more about one particular main character. That wouldn't be fun, I think, for the other players, but we can discuss it, if that's what you want to do. We can see about adding some fictional constraints to make it more interesting as a story.

Take this as my stance on any quote-unquote "problematic" powers. If there's an interesting story there, I'm willing to work a little harder, exert a little more effort, to make it work in the story we're all telling together. But remember that we are telling a story together. Be open to feedback from other players as well as from me. :)

You may select a single power and have that be your sole power, like regeneration or shooting concussive force from your eyes; or you can have a grab bag of powers, like flight, super-strength, invulnerability, and laser eyes. You can certainly have magic as a superpower, if that's what you want. It really depends.

What do you mean by a "home-brewed" system?

The system I'm using is more about using a quick resolution mechanic, to get the mechanics out of the way of the story and the fiction. Rolling a d20 with bonuses and penalties versus a specific target number is pretty easy to reason about.

There aren't any class levels or feats or stuff like that. If you are more interested in optimizing your build, killing everything in sight, and gaining treasure, this is probably not the game for you. Nor are we going to go into lengthy combats every time, with round by round blow-by-blows. That's not the point of this game.

I'm far more excited about exploring interesting characters with superpowers.  :)

So this is freeform?

No. It's far more involved than simply freeform or even guided freeform or even freeform with rolls thrown in. We're using the Dungeons and Dragons 5th edition ruleset, with many of the class features, spells, et cetera from that system, but home-brewed to be able to play a game about young protagonists with superpowers.

Luckily, there's a handy Reference: System document if you're curious.

What about game balance?

I take a more nuanced approach to balance than is espoused in most game systems. Remember that this game isn't about combat per se. As long as every character has something interesting to do, I don't see a really huge problem. Often in stories you have an ensemble cast of characters with widely differing skillsets. You can have Superman and Batman in the same story.

Style

I expect players to think about their characters' inner life and thoughts and feelings and be descriptive about such in their posts. Some players have only posted their outward physical actions, which is fine for some games, but not the ones I run. I'm interested in character arcs and narratives and emotional pay-offs and so forth.

Lay out your character's backstory gradually. The tendency of most players is to get it all out at the beginning, sometimes in the first post. I've had some players whose first posts were their entire backstory, with 1000 words or more.

Don't do that.

Not only is it contravention to the posting guidelines, but we're just getting to know the characters, the world, the story. The less you spill, the more that is retained. Leave us wanting more, instead of wanting to skim.

Collaboration

I expect players to be open to collaboration in the fiction. I'll rein you back if I feel you come up with something that contradicts the world, but players should generally be open to suggestions from other players and the GM. We're all in charge of the fiction together. You can write for another NPC, just as much as I can. Someone else can even chime in and move other characters around if their idea makes for a more interesting story.

I'm even okay with player characters moving other player characters, with each other's permission, of course. Comfort levels may vary, but if I was playing Doc Brown, and another was playing Marty, it wouldn't be too much of a stretch for me to move Marty in such a way:


If you do move another PC or NPC, be sure to be open to making edits if someone says you're doing something to make them go out of character.

Regarding Romance

I'll leave it up to the players whether they'll engage their characters in a romance. Personally, I prefer for romance to arise organically in the story, as opposed to something that is forced or the "point" or the main driver of a game.

Nice as romance is, my aims and interests do not revolve around romance, but instead are concerned with the overarching narrative and the character arcs I'm trying to build in complicated webs between the characters. Romance can play its part, and maybe even a vital part for some arcs, but keep in mind that it's only one part amidst many others.
This message was last edited by the GM at 12:23, Thu 25 Nov 2021.