Tegel Village
As a group, you trod down one dubious cobblestone road to another with the light from a succession of lampposts first waxing and then waning with first your approach and then departure. The streets were narrow, the houses high, with overhanging balconies and heavily curtained or shuttered windows -- just as the unknown penitent had found them to be. You do not, though, hear the tolling of funereal bells -- only the clomp, clomp of your boots upon the stone streets. You do not see any fellow travelers -- or perhaps they were obscured by the swirling, grey mists.
At the last lit light, you find yourselves under the awning of what must be Tegel's finest public house. Through the smoky glass, you can see the silhouettes of patrons inside, playing cards, eating from platters, drinking from tankards, talking it out, or sleeping it off. You want some of that. You tumble inside.
Into loneliness.
No patrons.
No cards.
No platters.
No drinks.
No slumber.
Worst of all, no talkin' it out.
Just a spare lobby with a few sickly palms and dusty couches. A reception area, unmanned, is off to the side, with a counter between guest and concierge (but no concierge at the moment). On the counter sits a single bell, tapped to be rung. Beyond the counter and the space behind the encounter is a wall lined with cubbies. Depended from chains, a sign proclaims this establishment to be The Emperor of Curd.
The lobby has two exits in addition to the front entrance.