Re: Session 0
We have a good variety of phase one stories. Now we'll move on to phase two. Pick another character's phase one story that resonates with you, and write how your character was involved. if someone else picked a story you want to be involved with, hold on to that idea because we have phase three coming up. But for now pick a story that hasn't been chosen yet. Below is the description from the book to help you out.
In the next two phases, you’ll tie the group together by having other characters contribute a minor, supporting role in your adventure, and vice versa.
Once everyone has their adventure written down (which is where the index card suggestion comes in really handy), you’re ready for phase two. You can pass to the left or right, or shuffle the stack and hand them out randomly (trading with the person to your right until you each have one that isn’t yours). However you decide to do it, every player should now be holding someone else’s adventure.
Your character has a supporting role in the story you’re holding, which you get to come up with right now. Briefly discuss it with the player whose adventure it is and add a sentence or phrase to the summary to reflect your character’s supporting role. Supporting roles come in three forms: they complicate the adventure, solve a situation, or both.
Complicating the adventure: Your character managed to make some part of the adventure uncertain (possibly because of an issue or trouble aspect). Of course, since that happened in the past, it is known that you got out of it all right (or mostly all right, as indicated by the aspect you take). When describing this, don’t worry about how the situation is resolved—leave that for someone else, or leave it open. Descriptions like “Landon starts trouble when Cynere needs him quiet” or “Zird gets captured by mysterious brigands” are enough to get some ideas flowing.
Solving a situation: Your character somehow solves a complication that the main character in the adventure had to deal with, or your character aids the main character in the central conflict (which is an opportunity to involve your high concept aspect). When describing this, you don’t have to mention how the situation was created, just how your character takes care of it. Descriptions like “Cynere holds off foes to give Landon time to escape” or “Zird uses his arcane knowledge to ask the ghosts for information” are enough to give us an idea of what happens.
Complicating and solving: Here, your character either solves one situation but creates another, or creates a situation but later solves a different one. Mash up the two ideas, using the word “later” in between them, such as: “Landon starts a fight with the Scar Triad while Zird is trying to lay low. Later, he helps Zird by fighting off undead while Zird’s casting a spell.”
The idea is to be a bit self-serving here. You want to put a little spotlight on your character in order to figure out a good aspect from it: something you’re known for, something you can do, something you own or have, and someone you have a relationship with (for good or ill).