Chapter 3, Scene 1: Trouble at Oleg's
With no one else volunteering to go out and get the bandits' horses, Will does so. He is a little surprised to find that they are no trouble, being loosely tied to some branches and reasonably placid about being led into the fortress. He brings them in to the stables and puts them into stalls, forced now to double up some of the horses. He removes their tack and stacks it up with the others, and finally returns to the group.
As he is performing this manual task, Will's mind wanders to the magic he has learned. Since he new lyre can cast the Charm spell for him, he releases that from his mind, the mental glyphs dissolving from his brain. Instead, he focuses on the Command spell that Black Tears wizard used on Booker. He realizes that this is straightforward, that he could produce the same magicks, just by finding the right music in the words. As he contemplates the music of words and the imagery they produce, he realizes that a similar approach could make images manifest, such that others could literally see them, if he just supplements the melody to create an Illusory Object. With these revelations, he is almost too excited to try them out.
The bard returns to the captive and tries to Command him to "Tell us everything." Unfortunately, Will realizes that he will have to rejuvenate his mind before he'll be able to use such magic. That doesn't mean he can't use more mundane methods to get more information.
Charlie seems to have given up all the information about the bandit camps that he knows about, so Wilkezag returns to interrogating him about everything else. "What do you know about this area, labelled 'Old Sycamore'?" and "Tell me again about this section of the river. What is it like? What sort of creatures live there?" He asks about every part of the plains and the forest that their charter covers, hitting every location at least twice and many a third or even a fourth time, if he has any hint that the bandit is holding back. Will approaches this with a barrister's attention to detail, writing down all the notes on a separate piece of paper, then correlating those to the map using a letter-number pair for each coordinate on the map.
Once he is convinced that Charlie has told everything he can, Will follows his nose to learn that Svetlana is cooking something fascinating. Again he watches over her shoulder and listens to her tutelage on the subject of cooking. She teaches him the basics and he looks forward to applying it at their nightly camps.
Finally going to bed, he finds that Oleg has a book on Calistria, a goddess who is a sometimes lover, sometimes enemy of Will's hero, Cayden Cailean, and he becomes captivated by it. He appreciates the goddess' cleverness, her wit, and her striving for personal freedom. He understands her need for revenge, but believes she errs when she refuses ever to forgive a slight. An inability to forgive will burn anyone up, even a goddess. When he is done, he realizes that he knows more about her than about his own deity, but he promises to raise a glass to Cayden at the first opportunity, and he knows that his god will be more happy with that than with bookish study.
As the candle burns low, the bard reaches the end of the book and is surprised to learn that the author identifies himself as an Iruxi, or Lizardfolk. The authors note says that few Iruxis follow "The Savored Sting," as many call Calistria, but those few who do are extremely avid. At the end is a significant dictionary of the Lizardfolk language, which Wilkezag realizes is weirdly related to Sylvan, but with construction not unlike Jotun, two languages he already knows.
Added Lore (Cooking) and Lore (Calistria), Lizardfolk language, plus the spells and a secondary muse.
This message was last edited by the player at 04:05, Wed 11 Jan 2023.